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Volume 3, Issue 15
July 19 - August 1, 2001
Book Reviews
HANNIBAL
by Thomas Harris
5:05 pm: I arrive at Denver
International Airport for a 5:30 flight to
San Francisco. I'm tearing down the moving
walkways, shouting "Sorry!" over
my shoulder as I jostle the bags of people
standing too far to the left and not far
enough to the right. Past security with no
time-consuming jokes about bombs and
guns, and a stop on a dime in front of the
arrival/departure computers. A rapid scan
tells me I have no departure gate, just an
empty square of black. This confounds me
only until I learn the nasty truth: my flight
is cancelled. Should have called ahead of
time.
So what do I do in this unexpected situation?
Calculate my TKBA (Time to Kill
Before Arrival) is approximately six hours.
I have no book because I am "between
books right now." I do, perhaps, what you
would do: reluctantly take $15 out of my
wallet and head for the newsstand to buy a
book.
Once there, I encounter dilemmas vast and
intimidating, which I will boil down to this
basic question: what is a regular girl to do?
Thriller, or Oprah's Book Club choice?
This might seem obvious to some, but this
was hard for me. I'm not really the fast-read,
thriller type. I try to pose as a reader
of "literature" before "novels," which is
quibbling over bits. But in the end, I figured
Oprah had already told plenty of people
what to think about Icy Sparks. I would
undertake the emergency task of actually
reading a book that went straight to movie.
I bought Hannibal, by Thomas Harris.
I tore right into it, enjoying the prospect of
getting the shit scared out of me during a
raging Front Range storm. True to Harris's
style, this didn't happen right away.
First he reminds us of just how smart and
tasteful (in matters of culture and style) this
bastard Dr. Lecter is, and just how straight-shootingly
traditional Special Agent
Clarice Starling is by comparison. But as
the book unspools, he aligns them in the
reader's eyes, pitting them against the
obstacles of incompetence and tastelessness
instead of each other. I liked that, a lot.
A common enemy to unite an FBI agent
and a cannibal? Few people are comfortable
acknowledging this sort of thing.
Harris walks the line-- he's got morals,
flair, and big brass balls.
Paragraph six is a good time to admit I
haven't seen the movie. So we're not going
to discuss the movie again, until paragraph
nine. This book is an increasingly fast read
(duh-- the fruit of the airport tree), and it
gives you a place that is excitingly witty
and artful to escape the conversation of the
not so witty and artful yuppies across from
you, who are boastfully engaging in commuter
conversation loudly enough to
annoy everyone in a three-gate radius. I
fancy Hannibal chewing on their tongues
in the theatre of my mind and then flash
them a charming smile. And thus I learn
tolerance from Thomas Harris.
We follow Lecter, massively more intelligent
than the masoginistic men who pursue
him, across three continents, and all the
time Anthony Hopkins, I mean Hannibal
Lecter, has time to savor ridiculously
expensive wines and green oysters. Mason
Verger, a sadistic survivor of Lecter's earlier
crimes without a face but with a pet brutal
moray eel, has sent professional
Sardinian kidnappers after Hannibal with
orders to feed him alive to specially-bred
killer boars, while Mason watches via
videotape. Doesn't that sound good? Why
don't they put that on the book jacket?
Then I wouldn't have even hesitated.
Starling, too, becomes the hunted as
Verger's team decides she is the best bait
to bring Lecter out of hiding. Good and
evil take a tumble in the spin cycle and
come out faded, puffy-haired, and nearly
indistinguishable.
I won't spoil it by telling you about the
moments in which I gasped and caught my
breath or said out loud "Fucking hell!" I
will tell you that the woman next to me on
the plane was reading the same book, and
for the second time. I will tell you that
according to my sources who did see the
movie, the ending is not at all the same. I
won't say which is better. I will say that I
bet the book's ending is twice as interesting,
twice as daring, infinitely more outraging,
and it will knock your fucking
socks off.
So, whatever. Be satisfied with your cinematic
opium if that's your bag. Or figure
Jodie Foster was right about that cheesy
screenplay and read the book. Hannibal is
waiting, his napkin tucked under his chin.
Goody, goody. B
--Andrea Moore
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